Showing posts with label Gig Reviews. Show all posts
Showing posts with label Gig Reviews. Show all posts

Wednesday, 17 July 2013

Hellfest 2013 - Saturday & Sunday (22nd & 23rd June)

...And here's part 2 of my excursion to Hellfest 2013. This covers Saturday, Sunday and a bit of Monday morning. Enjoy \m/




Saturday
Saturday morning I woke up (once again, hungover) around half past 9 and after breakfast and several cigarettes I regained my sanity enough to leave camp and venture to the arena in time to catch Skindred (8rontman Benji getting on a bit now he still knows just how to work a crowd and their half hour set (which should have been much longer) comes and goes in the blink of an eye and is enjoyable as always.

After a short break wandering around the extreme market (even bigger and better stocked than last year) I head to the death metal tent to catch Greece's Dead Congregation (6). Making a rare festival appearance the band plough through their doomy, raw death metal with style. Next up are Procession (7) from Chile (but now based in Sweden). Playing straight up epic doom with soaring vocals, these guys don't disappoint and the new songs (from recent release "To Reap Heavens Apart") sound great.

Monstrosity (7), the band famous for once having George "Corpsegrinder" Fisher as their vocalist (before his departure to front Cannibal Corpse) are an interesting sight to behold. After numerous lineup changes, drummer Lee Harrison is the only remaining original member. However this proves to be irrelevant as the band work together in near-perfect sync. Vocalist Mike Hrubovcak (ex-Vile) has the skill and vocal power to make the songs sound just as good as one record. Overall a very good performance.

Coal Chamber (6) power through their set and most of the crowd are finding it truly enjoyable to hear Dez and co. live. However, many people (myself included) are starting to think that Dez is a bit old to be wearing make up and playing nu-metal. The set's enjoyable regardless but I firmly believe nu-metal is finally dead and should really stay that way.

While they may be a complete chance of style from every other band I've written about so far, fuck it. 3 Doors Down (9) are the first band that really grab my attention throughout their entire set. They may be completely different to nearly every other band I saw over the weekend but I enjoyed the fuck out of them. Every song is catchy on and point, particularly a favourite of mine "It's Not My Time". They really get the crowd going at several point and just generally enjoyable all round. At this point I'd also like to point out that the weather throughout the day has so far been terrible. Nothing but rain clouds and misery. But a couple of songs into Parkway Drive's (8) set the rain is gone and the blazing sun is beating down as spirits lift and pits erupt left, right and centre. Byron Bay's heroes may divide opinion among "true metalheads" (whatever that really means), but I don't give a fuck. I fucking love those guys and they get mad love from the crowd. Well done lads.

Down (8) put on an excellent show as always and despite a distinct lack of material from Down 3, still drive the crowd wild. During their set Phil Anselmo announces that Clutch have cancelled their appearance due to the unfortunate passing of Vocalist Neil Fallon's father (my condolences), and that Down will be playing a second set the following day to make up for the absent slot. An unexpected turn of events, but not an unpleasant one. Meanwhile Sinister (7) manage to get the death metal tent moving with some good tunes new and old. One of several dutch groups appearing this year, they get as warm a reception as any other death metal band that's played so far, hence my love for this festival. Every style is embraced and shown off equally.

Rotting Christ (7) keep the crowd going but as I'm not familiar with a lot of their material I find it hard to follow at times. I enjoyed myself regardless so I'll definitely acquaint myself with them a bit better in future. I head to catch part of Unearth (5) and while the music is ok, the guitars drown out Trevor's vocals, and the amount of hardcore kids shoving me about makes it hard to concentrate, so I leave and check out Accept instead. Accept (10) are nothing short of phenomenal. Every song gets a great reaction from the crowd and current frontman Mark Tornillo really knows how to work a crowd. "Stalingrad", "Teutonic Terror" and of course fan favourite "Balls To The Wall" all come off well and I leave at the end determined to catch these guys again at bloodstock in August. Phil Anselmo even comes out to join the band for their hit track "Fast As A Shark" and it's nothing short of marvellous. One of the best bands of the weekend hands down.

After checking out Belphegor (8) and feeling impressed, I run to catch My Dying Bride (8). Yorkshire premier purveyors of doom and gloom are on top form. And while I'm not completely familiar with their whole setlist, the music is great and well performed so no complaints here. The same can be said for Manilla Road (8), while I may only know material from their latest album, they play brilliantly and I leave with a new found respect for them.

Now onto our mainstage headliner. Kiss (10) are simply superb. Pretty much every hit you can think of makes an appearance and after all these years the lads have perfected a stage show unlike any other. Flying, spitting blood and fire breathing are all featured alongside lengthy, highly impressive guitar and drum solos from Tommy Thayer and Eric Singer respectively. Everyone should see Kiss once in their lives. Because after 40 years these guys are still showing everyone else how to put on a real rock and roll stage show.

I regretfully decide to miss the last half hour or so of Kiss' set, so I can head to the tent and catch the black metal legends themselves, Immortal (9). Norway's finest once again never fail to impress, with songs from across their catalogue and a set full of pyrotechnics despite being confined to a tent. "Tyrants", "Withstand The Fall Of Time" and of course "One By One" all sound fantastic. However once again it's obvious that some people are losing momentum. So when Morbid Angel (6) take the stage, many people have left or are sleeping on their backs in the bigtop. And while David Vincent (hilariously dubbed "the Elvis of death metal" by a friend of mine) and co play well as usual, and the majority of the set is from masterpiece "Altars Of Madness", there is a distinct lack of many of the bands famous songs, such as "God Of Emptiness" and "Where The Slime Live" in favour of tunes from the latest album (which shall not be named for no other reason than the fact that many people, myself included, consider it a festering turd of a record).

All in all, Saturday goes well and after Morbid Angel finish I head to the campsite for drinking and merriment until the wee early hours.

Sunday
Sunday morning I woke up, complete with hangover (by now you guys should be starting to see a pattern here...), and after breakfast booked it over to the arena to catch Leprous (8), who put on a good show, but I can see many people in a worse state than me who are having trouble grasping prog at such an early point in the day. After the first couple of songs however I wake up a bit and thoroughly enjoy the rest of the set. The new tracks off latest release "Coal" go down very well with the fans. Next, Haemorrhage (7) play a set full of thrashy, filthy goregrind that assaults my ears in a very pleasurable way. Guitarist Ana is pretty easy on the eyes as well. Moving on, I turn a quick 180 degrees to catch Svart Crown's (8) set. One of the newer band's carving out France's legacy in the world of black metal, Svart Crown plough through their songs with determination and songs from new album "Profane" sounds just as good live as one record. Well done Svart Crown.

Minutes later, I receive another sonic beatdown from Krisiun (8), Brazil's master of death metal play a good set but due to the long songs off "The Great Execution" time flies by and they get very few songs in. Regardless, Krisiun are a very good band who I would love to see at their own show one day. After this I take a break from the bigtop and head to the mainstages to catch Prong (9), a band I've always enjoyed seeing live. Tommy Victor is once again on great form and crowd favourites "For Dear Life" and the anthem "Snap Your Fingers, Snap Your Neck" go down fantastically with the crowd. Once Prong finish it's straight back to the bigtop to catch Cryptopsy (6) who, despite playing well just fail to engage my full attention and the attention of most of the crowd. After a brief break for food and beers, I catch the end of Pig Destroyer's (7) set, and from what I can tell they appear to have torn the crowd a new one. However it's not until Ihsahn (9) takes the stage that I myself am torn a new one. With Leprous as his backing band as per usual, the man himself plays a great set (if a bit short) with songs from new age prog masterpiece "After" and new album "Eremita". Soaring choruses and wonderful off kilter uneven rhythms. New prog at its finest. Despite not playing as long a set as his slot at last year's hellfest I'm still thoroughly satisfied.

By the time Korpiklaani (10) come on, I'm pretty hammered, among other things. Watching these guys turns out to be possibly the most fun I've had all weekend. I'm so fucking pumped up I end up screaming the lyrics in the faces of people near me in the pit and when "Rauta" and "Vodka" come on I legitimately lose my shit and dance around like a maniac. One of the best feelings of the weekend. After checking out the market and buying a sick "Blessed Are The Sick" shirt from Morbid Angel (my favourite album of theirs), I keep that good feeling going by watching Down's 2nd set in the doom tent. Packed beyond capacity, Down (10) play a set full unlike anything I was expecting. After 2 rare live tracks (Swan Song & Rehab), Phil switches to guitar and his wife comes on to do vocals for a couple of Eyehategod covers (Sisterfucker part 1 & Blank), then Kirk takes centre stage and the band bust out 2 Crowbar classics (High Rate Extinction & Conquering). As is inevitable, Pepper steps up and 2 of my favourite Corrosion Of Conformity songs get played (Albatross & Clean My Wounds) which causes me to go apeshit and instantly call my friends back in England to brag, because that's the kind of bastard I am. The final two tracks consist of a Robin Trower cover (Bridge Of Sighs), and then as if this set couldn't get any better, they play "Walk". FUCKING WALK!!!! To hear Down play "Walk" and have them all dedicate it to Dime is very moving and the cover would've done him proud. Well done guys.

Next is another one of my highlights of the weekend, Stone Sour (10). Corey and the boys play a fantastic set including hits from every album and a couple of surprise covers (Sabbath's "Children Of The Grave" and Alice In Chains' "Nutshell"). Corey Taylor really is a born performer and the crowd love it. Closer "30/30-150" causes the whole crowd to lose their minds and Stone Sour prove why they are among modern day hard rock royalty.

After Stone Sour finish I head to catch the rest of Marduk's (9) set. Mortuus, Morgan, Devo and Lars are all playing on fine form affter releasing the excellent "Serpent Sermon" last year. "Nowhere, No-one, Nothing", "Slay The Nazarene" and "Satan & Victorious Weapons" all sound evil and thrashy as fuck and in my opinion these guys are one of the best black metal performances of the weekend alongside Immortal.

After taking a couple hours break to eat dinner and drink more, I head back to the arena to see Napalm Death close the weekend in style. Napalm Death (10) are a band that you can always enjoy, despite knowing exactly what they're going to do. The band have never compromised their ethics and continue to play anywhere that will have them, putting on a damn good show no matter what. The band's setlist hasn't changed much for years, apart from the odd addition whenever a new album comes out, but nobody gives a fuck because a Napalm Death show is just too damn enjoyable. Barney bounds around on stage like a mad man barking at everybody with that terrifying voice of his and the rest of the band play with a degree of fury and passion few other bands can equal. This is my 4th time seeing Napalm Death (2nd time seeing them at hellfest) and once again they surprise me by including one of my favourite songs of theirs, "Greed Killing". Due to the fact that I was very out of it at this point my memory is a bit blurry but I remember Birmingham's finest having possibly the best pits of the weekend and overall absolutely killing it.

To end the weekend in style after Napalm finished I wondered back to camp and once again got absolutely shitfaced. I somehow wake up hangover free and we make the long trip back to England, after leaving Clisson at 10, taking a taxi across Paris (a moderately terrifying experience), nearly getting scammed outside Gare Du Nord, sweating on the Eurostar for over 2 hours, getting another train from London and then a further 2 hours driving I collapsed at home around midnight happy to be in my own bed. This weekend has left me exhausted, aching, sickly, beaten and bruised, but I wouldn't have had it any other way. \m/

And that boys and girls is my coverage of Hellfest 2013. I promise that next year I will have some good pictures for you once I've bought a decent camera. I will post the shitty pictures that I did take in a separate article. Also my apologies that this took so long I've been rather absent minded recently. But fear not, in a few weeks I'll have my Bloodstock Open Air 2013 review for you. Until then I'll try and keep as many reviews flowing as possible, stay metal \m/

Monday, 15 July 2013

Hellfest 2013: Thursday & Friday (20th & 21st June)

And now, it's finally time for me to share the crazy fucking times I had at Hellfest 2013. Sadly there is a distinct lack of photo evidence for most of it (due to me having a shit camera and/or being too out of it to think of taking pictures), but I did catch photos of most of the bands I saw. Fear not however, as I shall be purchasing a distinctly better camera and aiming to acquire a press pass for next year. Anyway, to business. This article will be covering my arrival and the first day of music and the following article will address Saturday and Sunday. Enjoy.



Wednesday, 8 May 2013

Sonic Obliteration 2013: London Underworld - 4th May 2013

After being off the grid for a couple of weeks now, something I apologise to you guys profusely for, I'm back with a new live review, this time covering my jaunt to London last Saturday for 2013's Sonic Obliteration fest. On the 4th of May 2013 the Underworld played host to 9 extraordinary bands in an entire day of unparallelled death metal carnage. Despite not everything going to plan a good time was had by all and every band performed excellently.


Wednesday, 27 March 2013

Deicide - Norwich Waterfront - 18th March 2013

And so today I have a new article for you lovely people, a live review of Deicide's triumphant gig at Norwich's Waterfront last week, and an album review of "Terror Regime", the latest from Midwest death metal mainstays Jungle Rot to come tomorrow. Comment, request a review, any feedback or suggestions are welcome. Enjoy...

Tuesday, 5 March 2013

Grand Magus + Primitai - London Underworld - 3rd March 2013

And now I'm back with a new live review after a splendid weekend in Essex and London. Now I bring you a review of the final night of Grand Magus' 2013 tour, culminating in a packed headlining show at the underworld. Read on, and enjoy...


Monday, 25 February 2013

Exit Ten - Norwich Waterfront - 21st February 2013

Now we have another live review, and even though I was at this gig, I've decided to let my friend Dave write the review as he wanted to give it a shot, so here it is, his review of one of our favourite bands, Reading metalcore geniuses Exit Ten!


Thursday, 21 February 2013

Cannabis Corpse + Ghoul - London Underworld - 9th February 2013

Hello again everyone, and welcome to my first live review of 2013. Despite this not being my first gig of the year I decided that this would be my first gig to review, due to me only knowing half the setlist for Korpiklaani, and the fact that I was too fucked at Orange Goblin to even begin to remember the song order. This was definitely the best gig of the year so far though. So let's get to business...


Saturday, 22 December 2012

Fear Factory + Textures - London KOKO - 18th December 2012

After several things keeping me off the radar for nearly two weeks I must offer my sincerest apologies to those of you out there that are regular readers. With the apocalypse being a complete fucking joke and Christmas nearly upon us I will be leaving you with a couple of reviews to day and a possibly a couple more by Christmas, when I shall be starting to compile my top 20 albums of this year as well as a best 3 or perhaps 5 for each sub-genre, because as we all know this year has been monumentally fantastic in terms of metal releases. Aaron will also be giving us a top 20 to my knowledge, but for now though I leave you with my review of Fear Factory's stellar London gig last Tuesday. Enjoy...


Monday, 10 December 2012

Obituary: Rotting Slow In Europe - London The Garage - 5th December 2012

 Obituary were one of the first death metal bands I was ever introduced to, and after being told that they were a must see band I knew this would be the tour to see them on, a tour treating the fans to a set filled with tracks from their first three albums, three undeniable death metal classics.

Braving the train to London for the second time in 3 days (after a spectacular night at Alexisonfire on Monday, see previous review) I finally got to Highbury, the site of The Garage, found my friend and holed up in the nearest pub, the hilariously titled "The Famous Cock".

This was my first time ever attending a gig at the garage and I must say while it seemed to be a fairly cool venue, being unable to move due to the gig being sold out was not a good feeling. Plus due to the designated smoking are being outside the front door, which was a single set of double doors, while people were still coming in, meaning a queue quickly formed, locking down the entire hallway. The lack of space was fairly discomforting, but that was a small negative on an overall fantastic evening.

The Amenta (7) a band who bill themselves as industrial death metal, but in reality come off as an Australian version of Behemoth with the occasional industrial part thrown in. Nothing outstanding but a good start to the evening. Psycroptic (9) change that completely however. The Tasmanian tech-death mob are on fine form tonight and tear through their set with the intensity and ferocity of their homelands famous devil. Frontman Jason Peppiatt is on top form, but looks odd with a full head of hair.

Everything is still going strong when Macabre (7) take the stage. A band I've heard of from numerous sources but never checked out, they seem to be a fairly standard death metal affair but with a lyrical focus entirely on famous serial killers, a subject so often used in death metal it borders on cliché. However the Britney Spears style ear mic the singer uses was amusing and musically the band was fairly enjoyable.

When Obituary (10) take to the stage, all hell breaks loose. Fans are clearly ecstatic to see the band return to our shores, and hearing every member of the crowd growl along with John Tardy is absolutely brilliant. Crowd favourites in particular are "Turned Inside Out", "Chopped In Half", "The End Complete" and the ever popular "Slowly We Rot". This is a band that has never lost a step and is still on top form live after nearly 25 years. Obituary have blown me away tonight and are clearly still among death metal royalty. And long may they reign.

Obituary Setlist:
  1. Stinkupuss
  2. Intoxicated
  3. Bloodsoaked
  4. Immortal Visions
  5. Gates To Hell
  6. Infected
  7. Cause Of Death
  8. Chopped In Half
  9. Turned Inside Out
  10. Body Bag
  11. Back To One
  12. Killing Time
  13. The End Complete
  14. Dead Silence
  15. I'm In Pain
  16. Slowly We Rot
Slowly We Rot, Cause Of Death & The End Complete are all available on Roadrunner Records

Sunday, 9 December 2012

Alexisonfire - London Brixton Academy - 3rd December 2012

So here we have it, one of my favourite bands playing their farewell tour across the world. Within seconds of seeing the announcement I was ordering tickets, not giving a single fuck if I was going alone. This was something I knew I had to see. And see I did...

It was a cold Monday night in Brixton when I arrived at the venue, and despite a second date being added the night before due to immense demand, the line circle the block twice. I heard accents and languages from all over Europe as I found my place in line, it was apparent many had travelled far and many had also bought tickets for both nights. These were clearly the most hardcore of fans. After what seemed like an eternity, the doors opened and we filed in to what would undoubtedly be a night to treasure for a long time to come.

I was personally not a fan of opening act Ghost Of A Thousand (6), but the fact that they had reformed after a years absence just to support their friends in Alexisonfire for their final UK shows was admirable. This did not sway me into enjoying their music however, which I found to be loud and slightly abrasive. No matter, because nothing was going to spoil this evening for me.

At 9pm the lights went down and Alexisonfire (10) ambled onstage. Wasting no time, they break into fan favourite "Young Cardinals", it becomes apparent instantly that they have been missed greatly and every single person in attendance is singing as if their lives depend on it. After a short speech from the band they tear into "Boiled Frogs" and it's as if they've never been away. The band shows why they have always been a sight to witness live by tearing through hit after hit, all the while the entire venue singing along and hanging on their every word.

This was a particularly special night for me as I never believed I would have this chance to see them live, and they have been responsible for two of my favourite albums. "This Could Be Anywhere In The World" is particularly important as this song introduced me to the band that I have now loved and waited for 6 years to see. The set is a wonderful mix of old and more recent favourites, each song getting a spectacular crowd reaction. The only song which I had hoped for that wasn't played was "Mailbox Arson", which saddened me slightly, but I was uplifted by the high quality of the setlist regardless.

After titanic closer "Happiness By The Kilowatt" the crowd begins to thin, and here and there I see tears and signs of deep upset at the end of an era. I too feel some of this pain, but my joy at seeing something I never thought I would be privileged enough to see far outweighs my sorrow.

All in all this was a night I will treasure for the rest of my life and am very happy I was able to share with you.


Alexisonfire Setlist:
  1. Young Cardinals
  2. Boiled Frogs
  3. Heading For The Sun
  4. Pulmonary Archery
  5. Drunks, Lovers, Sinners & Saints
  6. No Transitory
  7. Get Fighted
  8. Born & Raised
  9. Waterwings
  10. Control
  11. Rough Hands
  12. Midnight Regulations
  13. Hey, It's Your Funeral Mama
  14. Old Crows
  15. We Are The Sound
  16. Accept Crime
  17. To A Friend
  18. 44 Caliber Love Letter
  19. This Could Be Anywhere In The World
  20. Accidents
  21. The Northern
  22. Dog's Blood
  23. Happiness By The Kilowatt
Old Crows/Young Cardinals is out now on Dine Alone Records

P.S. the reason I've not uploaded any pictures for this review is due to me being in the seats upstairs at Brixton Academy and not getting any decent clear shots of the bands due to the distance and constantly changing lights. Ah well.

Sunday, 2 December 2012

Lynyrd Skynyrd - Norwich UEA - 14th November 2012

In all honesty, I'd completely forgotten I hadn't written this yet. So with my sincerest apologies I will bring you a new gig review while I relax to my traditional Sunday regime of soothing post-metal.


Wednesday, 21 November 2012

Parkway Drive + Emmure & The Word Alive - London Roundhouse 17th November 2012

Before I start let me just state that while the rest of the gig went absolutely fucking horribly as I will explain below, I plan to stay as unbiased and professional as possible when discussing the bands and their performances. Please be aware that I am not attacking anyone in my article below, I am merely relaying my experiences from the other night in an attempt to inform and educate.

And now, to business...


Saturday, 3 November 2012

Evile + Wolf - Norwich OPEN - 27th October 2012

So, after a week or so of inactivity (otherwise known as uni work) I've come back today with a new gig review and a couple of album reviews, from now on I will also be trying to write a couple of new segments: "Sound Of The Underground" where I review an album that may not have shown up on most people's radars but I feel shows a lot of promise, and "From the vault" where I review a "classic" album and offer a new perspective.

So without further pissing around, here is my review for Evile and Wolf's co-headlining gig in Norwich. Enjoy...


Monday, 1 October 2012

Dying Fetus + Revocation & Cerebral Bore - Norwich Waterfront - 17th September 2012

First of all I would like to apologise for taking so long to: A. put up another review, and B. review this gig which happened about 2 weeks ago. I've had plenty of work to deal with and was away with family all weekend, more reviews will follow in the next day or so.

Now, onto the main event...